{"id":28,"date":"2014-02-12T01:45:06","date_gmt":"2014-02-12T01:45:06","guid":{"rendered":"http:\/\/worldjazzscene.com\/wordpress\/?page_id=28"},"modified":"2024-06-07T18:18:56","modified_gmt":"2024-06-07T18:18:56","slug":"jerome-gray","status":"publish","type":"page","link":"http:\/\/worldjazzscene.com\/wordpress\/jerome-gray\/","title":{"rendered":"Jerome Gray &#8211; Compin&#8217; Jazz Piano"},"content":{"rendered":"<table class=\"aligncenter\" border=\"0\" align=\"center\">\n<tbody>\n<tr style=\"background-color: #b9c0b9;\">\n<td colspan=\"2\"><strong><span style=\"font-size: medium; color: #800000;\">Jerome Gray &#8211; Compin&#8217; Jazz &#8211; $20.00<\/span><\/strong><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"3\" valign=\"top\">\n<p><span style=\"font-size: small;\">Jazz piano studies with two-handed chord voicing for twelve standards.\u00a0This book gives great insights into modern chord voicings from one of the masters of jazz. This book was written exclusively for World Jazz Scene.\u00a0<\/span><\/p>\n<p><span style=\"font-size: small;\">The covered tunes are Love Beautiful, M Pressions, Softly As In An Evening Sunset, In Your Own Nice Way, Star&#8217;s Sighs, William&#8217;s Bounce, Solarity, Ah!\u00a0The Things, Little Child&#8217;s Eyes, Huge Steps, and Fall Leaves.<\/span><\/p>\n<p><span style=\"font-size: small;\">Well, ok, Gray&#8217;s humor messed with the titles a little, but we&#8217;re sure you can figure out which familiar melodies go with the tunes.<\/p>\n<p>Digital Download<div class=\"wp_cart_button_wrapper\"><form method=\"post\" class=\"wp-cart-button-form\" action=\"\" style=\"display:inline\" onsubmit=\"return ReadForm(this, true);\" ><input type=\"hidden\" id=\"_wpnonce\" name=\"_wpnonce\" value=\"290c518e99\" \/><input type=\"hidden\" name=\"_wp_http_referer\" value=\"\/wordpress\/wp-json\/wp\/v2\/pages\/28\" \/><input type=\"submit\" class=\"wspsc_add_cart_submit\" name=\"wspsc_add_cart_submit\" value=\"Add to Cart\" \/><input type=\"hidden\" name=\"wspsc_product\" value=\"Compin&#8217; Jazz &#8211; Gray\" \/><input type=\"hidden\" name=\"price\" value=\"20\" \/><input type=\"hidden\" name=\"product_tmp\" value=\"Compin&#8217; Jazz &#8211; Gray\" \/><input type=\"hidden\" name=\"shipping\" value=\"0\" \/><input type=\"hidden\" name=\"hash_one\" value=\"f6884b30fd1e0452d039f475bea1e17b\" \/><input type=\"hidden\" name=\"hash_two\" value=\"78a5579827d4172f58be6d7f6d84e9a3\" \/><input type=\"hidden\" name=\"cartLink\" value=\"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/pages\/28\" \/><input type=\"hidden\" name=\"addcart\" value=\"1\" \/><\/form><\/div><br \/>\n&#x2666; After ordering a digital download,\u00a0you will receive an e-mail link to the file within 24 hours, at the most.\u00a0<br \/>\n<\/span><\/p>\n<\/td>\n<td style=\"width: 222px;\" rowspan=\"3\"><a href=\"http:\/\/worldjazzscene.com\/wordpress\/wp-content\/uploads\/jazzprep_.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-1467\" src=\"http:\/\/worldjazzscene.com\/wordpress\/wp-content\/uploads\/jazzprep_.jpg\" alt=\"jazzprep_\" width=\"216\" height=\"195\" \/><\/a>\u00a0\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"aligncenter\" style=\"width: 75%;\" border=\"0\" align=\"left\">\n<tbody>\n<tr>\n<td colspan=\"2\"><span style=\"font-size: small;\">Below are two fragments of Blue Dolphin Avenue. Have you guessed the melody line that goes with these chord changes?\u00a0Each tune has two versions. The second version of each piece is slightly more complex, but not necessarily more musical &#8211; busy is not always better.\u00a0\u00a0<\/span><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/worldjazzscene.com\/wordpress\/wp-content\/uploads\/bluedolphin.jpg\"><img loading=\"lazy\" src=\"http:\/\/worldjazzscene.com\/wordpress\/wp-content\/uploads\/bluedolphin.jpg\" alt=\"bluedolphin\" width=\"300\" height=\"310\" \/><\/a><\/td>\n<td style=\"width: 50%;\"><a href=\"http:\/\/worldjazzscene.com\/wordpress\/wp-content\/uploads\/blueserious.jpg\"><img loading=\"lazy\" src=\"http:\/\/worldjazzscene.com\/wordpress\/wp-content\/uploads\/blueserious.jpg\" alt=\"blueserious\" width=\"300\" height=\"310\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\"><span style=\"font-size: small;\">\u00a0&#8220;Jerome Gray is reputed by musicians to be the best pianist who ever played in Seattle&#8230;&#8230;&#8221; quoted from Jackson Street After Hours&#8221; by Paul de Barros, published by Sasquatch Books.<\/span><\/p>\n<p><span style=\"font-size: small;\">Gray&#8217;s students have included such well-known performers as guitarist Larry Coryell, vocalist Diane Schurr, and pianist Michael Wolff.Gray has been an educator of professionals for over 40 years.<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<table border=\"0\" cellspacing=\"2\" align=\"center\">\n<tbody>\n<tr>\n<td colspan=\"2\">\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Jerome Gray &#8211; Compin&#8217; Jazz &#8211; $20.00 Jazz piano studies with two-handed chord voicing for twelve standards.\u00a0This book gives great insights into modern chord voicings from one of the masters of jazz. This book was written exclusively for World Jazz Scene.\u00a0 The covered tunes are Love Beautiful, M Pressions, Softly As In An Evening Sunset, In Your Own Nice Way, Star&#8217;s Sighs, William&#8217;s Bounce, Solarity, Ah!\u00a0The Things, Little Child&#8217;s Eyes, Huge Steps, and Fall Leaves. Well, ok, Gray&#8217;s humor messed with the titles a little, but we&#8217;re sure you can figure out which familiar melodies go with the tunes. Digital [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"page-templates\/page-left-column.php","meta":{"spay_email":""},"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P4l8kt-s","_links":{"self":[{"href":"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/pages\/28"}],"collection":[{"href":"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/comments?post=28"}],"version-history":[{"count":36,"href":"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/pages\/28\/revisions"}],"predecessor-version":[{"id":1465,"href":"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/pages\/28\/revisions\/1465"}],"wp:attachment":[{"href":"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/media?parent=28"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}