{"id":325,"date":"2014-02-27T03:47:03","date_gmt":"2014-02-27T03:47:03","guid":{"rendered":"http:\/\/worldjazzscene.com\/wordpress\/?page_id=325"},"modified":"2014-10-05T02:43:28","modified_gmt":"2014-10-05T02:43:28","slug":"katie-king","status":"publish","type":"page","link":"http:\/\/worldjazzscene.com\/wordpress\/katie-king\/","title":{"rendered":"Katie King – Jazz Vocal"},"content":{"rendered":"\n\n\n\n
\u00a0Katie King \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0The Seattle Scene<\/span><\/span><\/strong><\/span><\/td>\n<\/tr>\n
\"katieking\"<\/a><\/td>\n
Acclaimed for her intricate storytelling and personal phrasing, Miss King earnestly moves the non-jazz appetite while at the same time fulfilling the hopes of the intellect.<\/span><\/span>\u00a0<\/p>\n

Those of us still hashing out the sea — tales of Ella, Billie, Sarah, and Carmen become quiet with just a few notes from this new soul of post-Bop.<\/span><\/span><\/p>\n

Katie is no traditionalist or a charlatan of any Bop. Her poignant and arresting style is instant proof of the characteristics she’s mastered, the elements she braves, and the inner ground she seeks. <\/span>A major root of her journey is the understanding of risk.<\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Can there be freedom without it?<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n
\n

Driving Home to You \u00a0– \u00a0$19.50<\/span><\/strong><\/p>\n<\/td>\n

\u00a0\u00a0<\/td>\n<\/tr>\n
\"katiekingtaylor-driving<\/a><\/td>\n\n

1. Change the World<\/a><\/span>
2. Finders Keepers<\/a>\u00a0<\/span>
3. Feed the Children<\/a>\u00a0<\/span>
4. Pages of Time<\/a>\u00a0<\/span>
5. Bones<\/a>\u00a0<\/span>
6. Scars<\/a>\u00a0<\/span>
7. And So It Is<\/a>\u00a0<\/span>
8. Driving Home to You<\/a>\u00a0<\/span>
9. Just Be<\/a>\u00a0<\/span>
10. All Because of You<\/a>\u00a0<\/span>
11.\u00a0Got a Feeling<\/a><\/span><\/p>\n<\/td>\n

Katie King – vocals, piano (Got a Feeling)<\/span>
Eric Verlinde – Keyboards<\/span>
Frank Seeberger – guitar<\/span>
Chris Symer – bass<\/span>
Jeff Busch – percussion<\/span>
Reade Whitwell – drums<\/span>\u00a0
\u00a0\u00a0\u00a0<\/p>\n

<\/form><\/div><\/p>\n<\/td>\n<\/tr>\n
\u00a0Side Trip \u00a0– \u00a0$16.00<\/span><\/strong><\/span>\u00a0<\/td>\n\u00a0\u00a0\u00a0\u00a0<\/td>\n<\/tr>\n
\"side<\/a><\/td>\n\n

1. Miss You<\/a>\u00a0<\/span>
2. I Love Paris<\/a>\u00a0<\/span>
3. I’ll Be Your Baby Tonight<\/a>\u00a0<\/span>
4. Temptation<\/a>\u00a0<\/span>
5. Cold Shot<\/a>\u00a0<\/span>
6. Now or Never<\/a>\u00a0<\/span>
7.\u00a0All I Really Want to Do<\/a><\/span>
8.\u00a0Imagine<\/a><\/span>
9.\u00a0I Will<\/a><\/span><\/p>\n<\/td>\n

katie Kind – vocals<\/span>
Craig Flory – Saxophones<\/span>
Ron Weinstein – Hammond B3<\/span>
Mike Stone – Drums<\/span><\/span><\/span><\/p>\n

 <\/p>\n

<\/form><\/div><\/p>\n<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n
Jazz Figures \u00a0– \u00a0$19.50<\/span><\/strong><\/span>\u00a0<\/td>\nOne for My Baby \u00a0– \u00a0$16.00<\/strong><\/span><\/td>\n<\/tr>\n
\"kk_Jazz_Figures\"
<\/a>
<\/form><\/div><\/td>\n
1. Tell Me Yes or No<\/a>\u00a0<\/span>
2.\u00a0Follow The Footsteps<\/a><\/span>
3. All the Notes Are Blues<\/a>\u00a0<\/span>
4.\u00a0I Need Rest (Impressions)<\/a><\/span>
5.\u00a0I’m In Fall<\/a><\/span>
6.\u00a0Timeless Moments (Nefertiti)<\/a><\/span>
7.\u00a0The Prince (Prince of Darkness)<\/a><\/span>
8.\u00a0Time Remembered<\/a><\/span>
9.\u00a0All the Notes Are Blue: Reprise (Blue in Green)<\/a><\/span><\/td>\n		\"kk_one_for_my_baby\"
<\/a>
<\/form><\/div><\/td>\n
1.\u00a0There’ll Be Some Changes Made<\/a><\/span>
2. Lover Come Back to Me<\/a>\u00a0<\/span>
3.\u00a0Don’t Worry ’bout Me<\/a><\/span>
4.\u00a0Early in the Morning<\/a><\/span>
5.\u00a0If I Had You<\/a><\/span>
6.\u00a0What A Wonderful World<\/a><\/span>
7.\u00a0I’m Old Fashioned<\/a><\/span>
8.\u00a0Steppin’ Out<\/a><\/span>
9.\u00a0Ain’t Misbehavin’<\/a><\/span>
10.\u00a0Everything Happens To Me<\/a><\/span>
11.\u00a0Clear Out Of This World<\/a><\/span>
12.\u00a0Good ‘ol Wagon<\/a><\/span>
13.\u00a0One For My Baby<\/a><\/span>
14.\u00a0Blue Prelude<\/a><\/span><\/td>\n<\/tr>\n
King – vocals, Harry Holbert – guitar, Bob Nixon – piano
Jay Thomas – trumpet and sax, Steven Bentley – drums
Jeff Johnson – bass<\/td>\n		King – vocals, Floyd Standifer – trumpet and tenor sax
Billie Wallace – piano, Doug Miller – bass,
Brian Kirk – drums, John “Vineet” Davidson – guitar<\/td>\n<\/tr>\n
Harry’s Flight \u00a0$ \u00a0$16.00<\/span><\/strong><\/span><\/td>\n\u00a0Mostly Ballads \u00a0– \u00a0$19.50<\/span><\/strong><\/td>\n<\/tr>\n
\"Harrys-flight-cover\"
<\/a>
<\/form><\/div><\/td>\n
1 Harry’s Flight<\/a>\u00a0<\/span>
2 Across the Universe<\/a>\u00a0<\/span>
3 All or Nothing at All<\/a>\u00a0<\/span>
4 50 Ways to Leave Your Lover<\/a>\u00a0<\/span>
5\u00a0Last Night<\/a><\/span>
6 Do I Move You?<\/a>\u00a0<\/span>
7 Alone Together<\/a>\u00a0<\/span>
8 Come Together<\/a>\u00a0<\/span>
9 Wayfaring Stranger<\/a>\u00a0<\/span>
10 Throw It Away<\/a>\u00a0<\/span>
11 And Now<\/a>\u00a0<\/span>
12 The Inch Worm<\/a>\u00a0<\/span>
13\u00a0Here Comes the Sun<\/a><\/span><\/td>\n		\"kk_Mostly_Ballads\"
<\/a>
<\/form><\/div><\/td>\n
1. Some Other Spring<\/a>\u00a0<\/span>
2. If I Should Lose You<\/a>\u00a0<\/span>
3.\u00a0Afro Blue<\/a><\/span>
4.\u00a0You’re My Thrill<\/a><\/span>
5.\u00a0Baltimore Oriole<\/a><\/span>
6.\u00a0Don’t Explain<\/a><\/span>
7.\u00a0You’re Mine You<\/a><\/span>
8.\u00a0I’m All Smiles<\/a><\/span>
9.\u00a0My Silent Love<\/a><\/span>
10.\u00a0How Deep Is the Ocean<\/a><\/span><\/td>\n<\/tr>\n
Katie King vocals, piano, Bill Anschell piano
Craig Flory saxophone\/bass clarinet\/flute
Jeff Johgson bass, D\u2019Vonne Lewis drums<\/td>\n		\u00a0King – vocals, Jay Thomas – tenor sax, trumpet, flute
Bob Nixon – piano, Jeff Johnson – bass, Steve Bentley – drums
Lary Barilleau – percussion<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

\u00a0Katie King \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0The Seattle Scene Acclaimed for her intricate storytelling and personal phrasing, Miss King earnestly moves the non-jazz appetite while at the same time fulfilling the hopes of the intellect.\u00a0 Those of us still hashing out the sea — tales of Ella, Billie, Sarah, and Carmen become quiet with just a few notes from this new soul of post-Bop. Katie is no traditionalist or a charlatan of any Bop. Her poignant and arresting style is instant proof of the characteristics she’s mastered, the elements she braves, and the inner ground […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page-left-column.php","meta":{"spay_email":""},"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P4l8kt-5f","_links":{"self":[{"href":"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/pages\/325"}],"collection":[{"href":"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/comments?post=325"}],"version-history":[{"count":33,"href":"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/pages\/325\/revisions"}],"predecessor-version":[{"id":2850,"href":"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/pages\/325\/revisions\/2850"}],"wp:attachment":[{"href":"http:\/\/worldjazzscene.com\/wordpress\/wp-json\/wp\/v2\/media?parent=325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}